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Monthly Archives: December 2006
Cage hates the road, loves cupcakes
Former Agent Orange-turned-Definitive Jux star Cage is heading on the road for a 22-city tour through the eastern United States, including dates in the East, Midwest and South. His touring companions? First there’s Yak Ballz, an emcee best known for associations with Bobbito (via Fondle ‘Em) and Def Jux fam (Definitive Jux Presents II), and who dropped his second album Scifentology last year. Slow Suicide Stimulus, the New Jersey rap quartet featuring former Artifacts rapper Tame One and Dusted Dons, will be promoting last year’s self-titled debut.
The concerts, lovingly titled the "I Hate It" tour, will provide audiences with new material from Cage’s upcoming album Depart from Me. It will also introduce CupCake, a crew of ladies who are releasing a DVD called, coincidentally, I Hate It. Judging from a trailer posted on CupCake’s MySpace page (and the softcore website GodsGirls.com, where they pose as models), they’re a cross between Suicide Girls and Jackass, and display lots of titties, tattoos and stupid pranks. Cage’s skatepunk and knucklehead fans will love them.
40 Noteworthy Albums of 2006
Hip-hop is dead? Naw. Plug One’s inaugural summation of the year’s best proves that New York’s gift to the world is alive and well. 40 albums, 40 reasons to celebrate. Continue reading
Posted in Plug One 50, Reviews
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Review: Nas, “Hip Hop is Dead”
On his eighth album Hip Hop is Dead, G.O.A.T. candidate Nas writes an elegy of sorts to the cultural movement that saved him from urban obsolescence. But can he satisfy the Illmatic conservatives? Continue reading
Review: Clipse, “Hell Hath No Fury”
With amazingly minimalist beats from the Neptunes, the second album from Virginia fabulists Clipse is a veritable template for cocaine rap. But Pusha T and Malice’s cold-hearted rhymes are not without moral remorse. Continue reading
RJD2 rolls across the land
As the year winds down, RJD2′s The Third Down is starting to work its way through the DJs, newspaper and magazine hacks, college radio geeks and Internet whores that will be summoned to publicize its strengths to the international heads. As we wait in anticipation for its arrival we wonder: Will his singing surprise us with its remarkable depth? Or will it sound as weird as "Through the Walls" from Since We Last Spoke? No matter how it all turns out, he deserves some props for being a brave and fearless artist.
While you wait to hear it (with an open mind, of course), RJD2 is assembling a live band to take it on the road. The short tour winds through March, and will undoubtedly include a pit stop in Austin for SXSW. A longer excursion (Maybe another Definitive Jux package tour? Just kidding…) should follow later in the year.
Brother Ali is “The Undisputed Truth”
A few days ago, a publicist who shall remain nameless joked to me that all Rhymesayers MCs sound the same. But of course that’s not true. Brother Ali, for example, can carry his own with just about any underground rapper out there. And yes, that may not be saying much to all y’all backpack haters/Lil Wayne dick riders. For those that appreciate the Minneapolis albino, however, prepare for his first new album in four years, and first release since 2004′s Champion EP.
The Undisputed Truth is set for a March 20 release on Rhymesayers. A particularly strong cut, "Original King," was posted on his MySpace page a few months ago. Unfortunately, it’s not on the promo version of the album.
New k-os album to be released in U.S.
The last time Americans saw k-os (meaning knowledge of self) was at SXSW 2006, where he headlined a bill at Antone’s. Supported by a band that included, oddly enough, onetime Smashing Pumpkins bassist Melissa Auf Der Mar, he closed his set by announcing he would no longer record for Astralwerks, the EMI imprint that issued his first two critically-acclaimed albums.
Some heads thought that this might be the last time the Canadian artist would get a full-fledged domestic release of his work and we’d have to find it on import, like most of Buck 65′s catalog. But we forget that k-os is a superstar in his country. When his new album Atlantis debuted in the top 5 of the Canadian albums chart last October, it was clear he’d get another chance to crack the U.S. market. And so it is that Atlantis hits our territory on February 24 via Virgin, another arm of the EMI conglomerate.
Busdriver escapes from L.A.
Busdriver likes to wear a T-shirt that reads, "Sorry, underground hip-hop happened 10 years ago." Personally, I don’t like to take such a hard stance against new jacks and toys. But I will agree that Project Blowed, the weekly freestyle sessions in Leimert Park, represented a zenith in hip-hop expression.
Busdriver carries that spirit with him throughout his projects, whether it’s the Weather with electronic dandy Daedelus and zipper-rapper Radioinactive; or his upcoming Epitaph album RoadKillOvercoat, which is already garnering strong reviews. To promote the latter, he’s taking off for a cross-country jaunt. And just to show how crazy he is, he’s touring as an opening act for Deerhoof, the Bay Area-based experimental rock trio. Hopefully hip-hop heads will embrace the weirdness and give both acts a chance.
The Roots bring new shows, Questlove projects
After enjoying the afterglow of their criminally underrated masterwork Game Theory, perennial road warriors the Roots are finally going on tour. The four month jaunt has already begun in Great Britain and winds through Ireland, South Africa, Japan and Canada before reaching the U.S. in February. It will represent the group’s nationwide tour since Game Theory dropped last August.
As an added bonus, Chicago skateboard enthusiast Lupe Fiasco will open a handful of U.S. dates. Though he has completed several spot dates since issuing Lupe Fiasco’s Food & Liquor in September, fans will have to wait a little bit longer for a full-fledged national jaunt.
Jemini tells “Memoirs of an Emcee”
Whatever happened to Jemini the Gifted One, the man who helped give the world its first taste of Danger Mouse via Ghetto Pop Life? According to Lex Records, he’s set to appear in a documentary about his career called Memoirs of an Emcee. Produced by Trans Hudson Films and directed by photographer T. Hopkins, Memoirs of an Emcee follows Jemini, underrated Philly rapper the Last Emperor (remember "Echo Leader"?) and newcomer Script.
"Emcee is about intelligent, thoughtful, faithful men who happen to make their living rapping. All too often, the featured image of young black men is that of apolitical, oversexed ignoramuses. Script, Emp and Jemini are iconoclastic by their very nature. They are all well-read and versed in a variety of subjects and never ‘dumb down’ for street credibility." There’s no word on when Memoirs of an Emcee will be released, but you can view preview clips at the film’s MySpace page.