Tag Archives: Rhapsody

Review: Murs & 9th Wonder, “Fornever”

Murs & 9th Wonder, Fornever SMC Recordings Murs and 9th Wonder’s third album together (not counting the Internet-only My Sweet Lord) has a distinctly L.A. vibe, with guest spots from Sick Jacken, Kurupt and Suga Free. The beats are slightly … Continue reading

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Review: GonjaSufi, “A Sufi and a Killer”

GonjaSufi, A Sufi and a Killer Warp A Sufi and a Killer opens with “Rebirth,” an extended loop of a Native American ceremony, with totem drums pounding as voices cry to its rhythm. GonjaSufi dreams of being a “Sheep” and … Continue reading

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Review: Kidz in the Hall, “Land of Make Believe”

Kidz in the Hall, Land of Make Believe Duck Down Records After two charming, playful albums and a minor indie hit (“Drivin’ Down the Block”), new rap gen stars Kidz in the Hall sound world-weary. Their cynicism weighs heavily on … Continue reading

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Review: Strong Arm Steady, “In Search Of Stoney Jackson”

Strong Arm Steady, In Search of Stoney Jackson Stones Throw Madlib has promised to release at least twelve albums in 2010, along with several Yesterdays New Quintet adventures and collaborations such as this production gig for Los Angeles hard knock … Continue reading

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Review: K-os, “Yes!”

K-os, Yes! Last Gang Records Canadian rap star K-os remains a cult figure in the States, but standout singles such as 2004’s “Love Song” have had an impact, influencing artists like K’naan and Drake (who is taking K-os on his … Continue reading

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Review: Redman, “Redman Presents…Reggie”

Redman, Redman Presents…Reggie Def Jam “Some rappers say they had it/ I feel I’m getting started,” argues Redman on his seventh album, Reggie. To prove his point, the Brick City veteran abandons the distinctive funk beats of his earlier classics … Continue reading

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Review: T.I., “No Mercy”

T.I., No Mercy Atlantic No Mercy, much of which was recorded after T.I. earned yet another prison stint for probation violations, finds our ATL hero angrily defiant. He calls himself a “convict with a conscience” on the militaristic “Salute,” and … Continue reading

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Review: Curren$y, “Pilot Talk II”

Curren$y, Pilot Talk DD172 For anyone who thrilled to Curren$y’s excellent major label debut, Pilot Talk II, released a mere five months after Pilot Talk, offers more of the same. This sequel may sound overly familiar since the New Orleans … Continue reading

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Review: Yelawolf, “Trunk Muzik 0-60”

Yelawolf, Trunk Muzik 0-60 Ghet-O-Vision/DGC/Interscope Yelawolf’s Trunk Muzik 0-60 may only be an expanded version of his popular Internet mixtape Trunk Muzik, but it’s a vastly improved one. The Alabama rapper has added a handful of new tracks – including … Continue reading

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Kid Cudi, Eminem and the Perils of Addiction

Rap Is Not Pop: Kid Cudi, Eminem and the Perils of Addiction This post is inspired by a commenter on my recent piece about Eminem and his album Recovery. “Somebody’s finally on the radio talking about NOT doing drugs. That’s … Continue reading

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Review: Cee-Lo Green, “The Lady Killer”

Cee-Lo Green, The Lady Killer Elektra Cee-Lo Green mostly lives up to his billing as The Lady Killer. He imagines himself as a James Bond of love on the kitschy intro, but has none of that character’s world-weary cynicism. This … Continue reading

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The Foreign Exchange and the Soul Revival

Rap Is Not Pop: The Foreign Exchange and the Soul Revival Earlier this year, the Foreign Exchange earned a Grammy nomination for “Daykeeper,” a dreamy ballad filled with soft percussion and cooed phrasings of “She Loves Me.” Cited for Best … Continue reading

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Review: N*E*R*D, “Nothing”

N*E*R*D, Nothing Star Trak/Interscope N*E*R*D’s hipster cred dissipated after its widely hailed In Search of N*E*R*D However, Pharrell, Chad Hugo and Shay are still capable of delightfully quirky adventures. On Nothing, they offer a poetic abstraction modeled after the Doors … Continue reading

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Review: Lil Wayne, “I Am Not a Human Being”

Lil Wayne, I Am Not a Human Being Young Money/Cash Money/Universal Motown Lil Wayne has spent much of 2010 in prison for gun possession. But life goes on as usual in the fantasy world of mainstream hip-hop. And despite its … Continue reading

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Review: Trademark Da Skydiver, “Super Villain Issue #2”

Trademark Da Skydiver, Super Villain Issue #2 iHipHop Distribution Trademark Da Skydiver’s Super Villain Issue #2 is his second official album, but it’s essentially a glorified mixtape with braggadocio freestyles and nominal hooks. Luckily, Trademark’s JETS International, a crew of … Continue reading

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Review: Die Antwoord, “$O$”

Die Antwoord, $O$ Cherrytree/Interscope Die Antwoord’s much-hyped $O$ debut is bound to disappoint casual listeners turned off by the jackhammer rave beats of “Wat Kyk Jy?” and Ninja and Yo-Landi Vi$$ser’s quirky Afrikaans slang. But a closer listen to this … Continue reading

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Review: Chiddy Bang, “The Preview”

Chiddy Bang, The Preview Virgin Records Chiddy Bang broke out the blog rap ghetto with “Opposite of Adults,” an ace reimagining of MGMT’s “Kids.” Rapper Chiddy and producer Xaphoon Jones attempt similar magic on The Preview, from flipping Passion Pit’s … Continue reading

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The wonderful world of Gucci Mane

Rap Is Not Pop: The Wonderful World Of Gucci Mane Several years ago, I interviewed Radric “Gucci Mane” Davis at the office of his former label, Atlanta indie upstart Big Cat Records. He had just finished a six-month bid for … Continue reading

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Review: Skyzoo & Illmind, “Live From The Tape Deck”

Skyzoo & Illmind, Live From The Tape Deck Duck Down Live from the Tape Deck, a collaboration between rapper Skyzoo and producer Illmind, is not only a throwback to classical values, but also a metaphor for “doing the right thing,” … Continue reading

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Why Eminem still matters

This post represents a shift from how I programmed Plug One in the past. Before, I wouldn’t imagine adding a piece about a mainstream artist. But times have changed. Plug One isn’t designed to represent everything I write, but it … Continue reading

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