Tag Archives: Rhapsody

Review: Ski Beatz, “24 Hour Karate School”

Ski Beatz, 24 Hour Karate School DD172 Ski Beatz’ 24 Hour Karate School arrives months after his triumphant production for Curren$y’s acclaimed Pilot Talk. But even the NY veteran famed for his work on Jay-Z’s Reasonable Doubt can’t overcome a … Continue reading

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Review: Shlohmo, “Shlohmoshun Deluxe”

Shlohmo, Shlomoshun Deluxe Friends Of Friends Henry “Shlohmo” Laufer is one of the more promising new jacks of the L.A. electronic explosion. Although he hasn’t developed a unique signature yet — which seems key to surviving as a producer, or … Continue reading

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Review: Daedelus, “Righteous Fists Of Harmony”

Daedelus, Righteous Fists of Harmony Brainfeeder According to its press materials, Daedelus’ mini-album Righteous Fists of Harmony attempts to “bridge the demise of the magic-inspired martial arts fighters of the Boxer Rebellion to the post modern malady of technology and … Continue reading

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Review: Jneiro Jarel, “Android Love Mayhem”

Jneiro Jarel, Android Love Mayhem Alpha Pup Records Jneiro Jarel, who has recently garnered attention for his remix work with TV on the Radio and Maximum Balloon, only recently moved to Los Angeles, but his expansive approach to beat production … Continue reading

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Review: Take, “Only Mountain”

Take, Only Mountain Alpha Pup Thomas “Take” Wilson is frequently mistaken as a rookie, but his career actually dates back to the early 2000s and encompasses several under-appreciated works, including 2007’s Earthtones & Concrete. He has developed a highly distinct … Continue reading

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Review: The Glitch Mob, “Drink The Sea”

The Glitch Mob, Drink the Sea Glass Air Records Since the middle of the 2000s, The Glitch Mob have taken bass music to the extreme, banging out synthesized jams that bounce like a hip-hop version of Giorgio Moroder. Drink the … Continue reading

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Review: Baths, “Cerulean”

Baths, Cerulean Anticon Will “Baths” Wiesenfeld’s debut album leaps from style to style, from Four Tet-inspired folktronica (“Aminals”) to Autechre’s early experiments in ghostly arpeggios (“?”). It contains allusions to L.A. such as Daedelus and Flying Lotus, and the sound … Continue reading

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Review: Exile, “Radio: AM/FM”

Exile, Radio: AM/FM Plug Research On his 2009 album, Radio, Exile (producer for Fashawn and Blu, among others) tried to replicate a radio listening session, even interspersing frequency noise and snippets of pop hits amidst loping instrumentals. Radio: AM/FM is … Continue reading

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Review: MF Doom, “Expektoration Live”

MF Doom, Expektoration Live Gold Dust Media Expektoration Live captures a MF Doom concert at B.B. King’s in New York. Judging from the track list, which draws heavily from Operation Doomsday, his Madvillain project and MM…Food, the gig took place … Continue reading

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Review: Atmosphere, “To All My Friends, Blood Makes The Blade Holy”

Atmosphere, To All My Friends, Blood Makes The Blade Holy Rhymesayers Entertainment Slug may never get recognized as one of hip-hop’s greatest storytellers, but he deserves to be. The Minneapolis rapper excels at the confessional, rhyming first-person narratives so vivid … Continue reading

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Rap’s new generation

When I posted my article on the so-called “Blog Rap’s Second Wave” yesterday, I realized I haven’t posted other entries from my Rap Is Not Pop column for Rhapsody. Actually, I didn’t re-post this one because I wasn’t happy with … Continue reading

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Blog rap’s second wave

This essay on the latest crop of street rappers was posted August 10 on Rhapsody.com’s Music Stuff Place blog. I wrote it for my Rap Is Not Pop column. I freely admit that I don’t specialize in breaking new artists. … Continue reading

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Street Sweeper Social Club, “The Ghetto Blaster EP”

Street Sweeper Social Club, The Ghetto Blaster EP SSSC/ILG Tom Morello writes some of the best intros in modern hard rock, and Boots Riley from the Coup is an ace satirist. And when both click on The Ghetto Blaster EP, … Continue reading

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Marco Polo, “The Stupendous Adventures Of Marco Polo”

Marco Polo, The Stupendous Adventures Of Marco Polo Duck Down Records It seems counterintuitive for rising producer Marco Polo to turn The Stupendous Adventures of Marco Polo into a platform for dozens of MCs. But Marco Polo isn’t an instrumental … Continue reading

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A Brief History of Rap and Bullshit: Drake

This essay on Drake was posted on Rhapsody.com’s Music Stuff Place blog on June 15. It analyzes Thank Me Later‘s mix of hip-hop and R&B. Obviously there’s a lot more to be said about Drake’s rap and vocal performance, the … Continue reading

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Lies, Relatives and Revolutions: Nas, Talib Kweli and Sage Francis

This essay was posted on Rhapsody.com’s Music Stuff Place blog on May 25. I wrote it for my Rap Is Not Pop column. ————————————- Rap Is Not Pop: Lies, Relatives And Revolutions Do rappers even rap anymore? When B.o.B’s The … Continue reading

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Ninjasonik, “Art School Girls”

Ninjasonik, Art School Girls Green Owl/Chief Records This full-length from a trio of Brooklyn smart-asses is a puzzling conceit of hipster in-jokes. Ninjasonik is undoubtedly the Art School Girls in the title, flipping through cool indie styles like a wardrobe … Continue reading

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Masta Killa, “Live”

Masta Killa, Live Gold Dust Media Masta Killa has quietly carved out a fine solo career independent of his Wu-Tang Clan brothers, issuing modest gems like 2004’s No Said Date. On Live, the New York rapper “keeps it classical like … Continue reading

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Inspectah Deck, “Manifesto”

Inspectah Deck, Manifesto Traffic Entertainment Inspectah Deck has dropped many classic verses and hooks for his Wu-Tang team, from “C.R.E.A.M.” to “Hollow Bones.” But unlike Ghostface Killah and Method Man, he never evolved into a compelling solo artist. Inspectah Deck’s … Continue reading

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Marco Polo & Ruste Juxx, “The eXXecution”

Marco Polo & Ruste Juxx, The eXXecution Duck Down Records Canadian producer Marco Polo knows how to cajole strong performances out of recalcitrant thug rappers. For Ruste Juxx, the star of The eXXecution, he lays down a template of grimy … Continue reading

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