Speech Debelle wins Mercury Music Prize

Speech Debelle, the UK rapper who released her debut Speech Therapy earlier this year, has won the Mercury Music Prize. There’s no U.S. equivalent to this award, which generally rewards artistic excellence over commercial sales, something that money-grubbing Americans usually can’t comprehend. (Both the Plug Awards and Shortlist Prize tried to establish an American version, and failed miserably.) So think of it as akin to winning the Village Voice Pazz + Jop poll (at least when Robert Christgau was running it). In other words, it’s an incredibly big deal.

Although R&B singer-rapper Ms. Dynamite and “grime” pioneer Dizzee Rascal have earned top honors before, Speech Debelle may be the first conventional, straight-up MC to win the award. Her competition included indie hits such as Bat for Lashes’ Two Suns, the Horrors’ Primary Colours and Friendly Fires’ self-titled debut.

Continue reading

Share
Posted in News | Tagged | 3 Comments

Nicolay’s “City Lights Vol. 2: Shibuya”

Shibuya

Nicolay is set to release a new instrumental album City Lights Vol. 2, a sequel to the 2005 edition. The CD drops September 15 on Foreign Exchange Music/Hard Boiled, and the digital version is available now at online retailers. However, Nicolay has released a statement asking fans not to purchase City Lights Vol. 2 on iTunes.

Continue reading

Share
Posted in News | Tagged , | Leave a comment

DOOM’s “Unexpected Guests”

Unexpected Guests

With the fall season fully underway, misanthropic rapper/producer DOOM is making a surprise contribution to the glut of new product. Set for release on October 27 via Lex Records Gold Dust Media, Unexpected Guests compiles several guest appearances, including his classic “Rock Co.Kane Flow” single with De La Soul, along with what appears to be a few new tracks – at least in regards to an official release.

The artwork above and the track listing below are tentative; both may change before Unexpected Guests is released. I’ll update this post if that happens.

(October 28 update: The track listing and artwork has been changed, and the release date has been moved back to November 10. Also, I made an error on the label; Gold Dust Media is releasing the compilation. You can view the changes here.)

Continue reading

Share
Posted in News | Tagged , | Leave a comment

The Wrap Up: Labor Day cleanup

The Wrap Up will now publish Fridays instead of sporadically on Mondays:

  • Slaughterhouse debut opens at number 25 on Billboard album chart (billboard.com)
  • Roxanne Shante lies about doctorate, gets caught by Republican “pro-copyright” lawyer (slate.com)
  • DJ Times crowns Z-Trip as America’s Best DJ for 2009 (djtimes.com)

Quite Nyce’s Hello, My Name is Quite Nyce (sharebee.com), Nocando’s Los Angeles Heart, Bay Area Blood EP (alphapupdigital.com), Blue Sky Black Death’s Lost and Unreleased (beatboxradioshow.blogspot.com), Sole & the Skyrider Band’s Battlefields EP (fakefourinc.com), J. Period & K’naan as the Messengers, Episode One: Fela Kuti (j.period.com)

Share
Posted in News, The Wrap Up | Leave a comment

Common, the Roots headline “Hennessy Artistry Series”

The Roots

Common and the Roots (pictured above, of course) will host this year’s edition of the “Hennessy Artistry Series.” It takes place in four urban markets — Chicago, Atlanta, Houston and New York — and will give attendees an opportunity to stock up on samples of free liquor. Lifestyle marketing gimmicks aside, the Roots are a dependable live act, and they’ll play house band for a lineup headed by Common and, in select cities, Colin Munroe, Elizabeth the Band and Elevator Fight.

Tickets to the events will be distributed via a contest. You can register for it at hennessyartistry.com.

Continue reading

Share
Posted in News | Tagged , | Leave a comment

Fresh Daily’s “Untucked Nunchucks”

Directed by Steven Tapia (the guy behind the “Baldin!” parody). From The Gorgeous Killer in Crimes of Passion. Decent flow, but too many punchlines.

Share
Posted in News, Video Soul | Tagged | Leave a comment

KRS-One and Buckshot, “Survival Skills”

Survival Skills

As I work through a massive backlog of press material, here’s another one to watch out for. KRS-One and Buckshot’s collabo Survival Skills drops September 15 on Duck Down Records. It’s packed with guests, from Mary J. Blige and Melanie Fiona to Talib Kweli and Slug from Atmosphere. And, of couse, lots of Duck Down members show up, including Smif-N-Wessun and new signee Geologic from Blue Scholars. Production comes from Black Milk, Illmind, Marco Polo, Khrysis, Nottz and 9th Wonder.

The first single, “Robot,” was produced by Havoc and has percolated around the Internet for a minute. Here’s some press info:

On the surface the album is a testament to the resiliency of two lyrical titans, but at its root Survival Skills is a blueprint for life. For instance on the infectious head-nodder “Robot,” which was released 6 weeks prior to Jay Z’s “The Death Of Auto Tune” track, and already available World Wide at Digital Retail Shops, such as iTunes, the duo speak-out against the recent overuse of the Auto-Tune vocal effect in urban music, but under the surface the message is much deeper. “I don’t want people to get the averaged clichéd version and thinking that we’re dissing people,’” Buckshot clarifies. “What we’re calling out here is the biters, the people that feel like because this guy sold X amount of records doing this, that I’m going to turn around and do it as well,” KRS says of the array of artists who have followed in the creative footsteps of Roger Troutman, Afrikka Bambatta, Teddy Riley and T-Pain. Despite its heavy message, sonically the track, produced by Mobb Deep’s Havoc, is as inviting as anything on the radio today. The video for “ROBOT,” directed by Todd Angkaswan, has been added into rotation at MTV & BET. The track has also been included in the sound track for Activision’s upcoming Tony Hawk skate game in stores this Fall.

Coincidently, ROBOT is not the first example of where Jay Z has released similar material and concepts from KRS-ONE & BUCKSHOT. In 2003, Buckshot’s group Black Moon recorded a song called “Stay Real,” which was, again, released 6 weeks prior to Jay Z’s “Public Service Announcement” track, that ironically contained the same sample as Black Moon’s “Stay Real.”

A couple years prior to this Jay Z released “THE BLUEPRINT,” which was the same title used by KRS-ONE in his classic album, Boogie Down Productions “Ghetto Music: The BLUEPRINT of Hip Hop.” …

For all of their individual accomplishments, KRS-ONE and Buckshot remain fans of each other’s work; complementing each other’s strengthens. “That’s still KRS-One at the end of the day. I didn’t know how to rhyme back when I first started listening to Kris,” says Buck alluding to his partner’s dominant history. In turn, KRS gives all praises to the Black Moon front man. “I am the humble teacher on the track, Buckshot is clearly the man,” he says.

Still gritty tracks like “Clean Up,” featuring Rock of Heltah Skeltah and the politically minded “Running Away” featuring Immortal Technique, make Survival Skills a Hip-Hop fan’s dream, catering to those that love lyrics and the boom-bap. Equally as rich is the album’s Black Milk-produced track, “The Way I Live” featuring the Queen of hip-hop soul, Mary J. Blige. Together they create a triumphant anthem for all those on the grind trying to conquer their dreams. The song’s summery feel and soothing melodies make it an instant hit.

Throughout, both veterans sound as hungry and invigorated as any of their rap counterparts. “Projects like these are projects that motivate me,” KRS says. “The idea to work with another MC that has his own persona and style and do a real collaboration in the studio, that’s motivation. I already got 16 albums of my own,” he adds.

What KRS-One and Buckshot have created is an album that is socially responsible, lyrically sharp and sonically banging. Buckshot sums it up best, “Hip-Hop was started as an option to not killing each other. We were in the ghettos and we were real fucked up. We created Hip-Hop so we didn’t have to do that anymore.”

“The album is called Survival Skills, because that is what it takes.”

Continue reading

Share
Posted in News | Tagged , , | Leave a comment

Anti-Pop Consortium fall itinerary

Anti-Pop Consortium_Timothy Saccenti

Anti-Pop Consortium are touring ahead of Fluorescent Black, which drops October 6 September 29. Unfortunately, it’s a painfully short one. Here’s hoping they’ll add more cities later.

Continue reading

Share
Posted in News | Tagged | Leave a comment

Mayer Hawthorne’s “Strange Arrangement,” tour

A Strange Arrangement

I’m sure everyone’s aware that Mayer Hawthorne’s highly anticipated A Strange Arrangement drops on September 8. (It’s already on sale via the Stones Throw website.) The original release date, October 6, was changed ostensibly due to demand (and to the album leaking months in advance). Nevertheless, everyone will soon be able to enjoy the dulcet tones of this former DJ turned loverman.

To promote A Strange Arrangement, Mayer Hawthorne will embark on a national tour the Lonely Hearts Club Tour with his live band, the County, and fellow members from his Detroit-based A-Side Worldwide crew, Buff 1 and 14KT. Track listing and concert itinerary is below.

Continue reading

Share
Posted in News | Tagged , | Leave a comment

Vinyl & Stuff: J-Boogie’s “Alive”

Alive

J-Boogie’s Dubtronic Science
Alive (OM Hip Hop, no catalog number)

I haven’t posted a 12-inch review (or any review, for that matter) in quite some time. But a package of goodies from SF producer J-Boogie prompted me to end the slump. The SF producer just released a 7-inch from his 2008 album Soul Vibrations called “Alive.” It features hip hop band Crown City Rockers (with Jrod Indigo on backing vocals), and it’s pretty dope if you’re into positive West Coast hip hop. The Rockers’ Raashan Ahmad drops a few verses about appreciating life — “I’m I’m walkin’ tomorrow then God bless me” — but I found myself drawn to the instrumental version, which emphasizes the groove-oriented vibe of the song while throwing in some dub-like echoes of Ahmad’s performance. Overall, a nice release.

Share
Posted in Reviews, Vinyl & Stuff | Tagged , | Leave a comment

Qwel & Maker September tour

Qwel_MySpace

Even though their album So Be It comes out today, Qwel (pictured above) & Maker have already begun a national tour. Check below for details.

Continue reading

Share
Posted in News | Tagged , | 1 Comment

Busdriver on “Jhelli Beam” tour

Busdriver tour flyer

Busdriver is currently on tour promoting his new album, Jhelli Beam. His backup DJ/producer, Antimc and Abstract Rude lend support. Note that the flier dates are slightly incorrect — check the current itinerary below.

Continue reading

Share
Posted in News | Tagged | Leave a comment

Shafiq Husayn’s “Shafiq En’ A-Free-Kah”

Shafiq En' A-Free-Ka

Shafiq Husayn’s Shafiq En’ A-Free-Ka is the first of several upcoming solo albums from the Sa-Ra Creative Partners camp. It drops October 6 on Plug Research. Guests include Bilal, Count Bass D, Jimetta Rose and many others.

The first single, “Lil’ Girl” has been out for a minute. However, I’m not posting it here because it’s being sold on iTunes. So check the track listing below, and then buy some music for a goddamn change.

Continue reading

Share
Posted in News | Tagged , | Leave a comment

KRS-One and Buckshot’s “Robot”

I’m late on this one, but it’s such a great video that I’m posting it anyway.

From KRS-One and Buckshot’s Survival Skills, out September 15.

Share
Posted in News | Tagged , | Leave a comment

Found: Foreign Exchange’s “House of Cards”

Directed by Matt Koza. Look out for the RJD2 cameo.

Share
Posted in News | Tagged | 1 Comment

“Definitive Jux Presents 4”

Definitive Jux Presents 4

Next Tuesday, September 1, Definitive Jux will release its fourth label showcase and first since 2004. Definitive Jux 4 previews several upcoming projects, including the long-anticipated Weathermen album (minus Vast Aire, of course); Camu Tao’s posthumous solo debut; Despot’s long-delayed debut; Hail Mary Mallon, a new project from Aesop Rock, Rob Sonic and Big Wiz (who performed together during Aesop’s tour last year); and, with luck, a new El-P album. The only person who’s missing is Danny! — hopefully that doesn’t mean his album is getting pushed back again.

Continue reading

Share
Posted in News | Tagged | 1 Comment

J Dilla’s “Dillanthology3”

DillanthologyTempCover

Rapster Records concludes its trilogy of J Dilla’s best tracks with Dillanthology3. Prior volumes focused on his freelance production and his remixes; this one concentrates on his solo work. Set for release on October 13, it should kill speculation by gossipy webheads that the Dillanthology series is an unauthorized cash grab; one of its tracks is “Reality Check,” the standout single from the “Ma Dukes” Yancey-approved Jay Stay Paid.

Also, be on the lookout for a Dilla box set from Rapster; no word yet on whether it will simply compile all three volumes or offer additional material. If it’s the latter, then Jay Dee’s classic “Fuck the Police” needs to be included.

Continue reading

Share
Posted in News | Tagged , | Leave a comment

Lyrics Born’s “Pushed Aside, Pulled Apart”

From the forthcoming album As U Were. Directed by Jake LaMotta from ApSci, and featuring vocal help from Lateef the Truthspeaker. Look out for cameos of Zion-I and Kat O1O from Crown City Rockers.

Share
Posted in News | Tagged | Leave a comment

Found: Raekwon, “House of Flying Daggers”

I love the track, but the animation sucks. What happened to Afro Samurai?

Found via Allhiphop.com. From Raekwon’s Only Built 4 Cuban Linx II, out September 8.

Share
Posted in News | Tagged | Leave a comment

Themselves’ “CrownsDown”

CrownsDown

Themselves’ third album, CrownsDown, drops on October 20 via Anticon. While their theFREEhoudini mixtape featured a plethora of guests, the album itself is just Dose One and Jel.

Here’s a bio snippet:

Seven months after the release of theFREEhoudini – the celebrated mixtape that announced Themselves’ return – Doseone and Jel will drop CrownsDown, a careful and vicious exhibition of mastered rap tactics and sampling ethics. Themselves’ third album proper has been gestating in the gut of this seminal group for some time. It’s both a return to form and a honing of what’s come before (Subtle, cLOUDDEAD, Deep Puddle) – both the opus that these lionhearted two were always meant to make, and the album that their hip-hop-obsessed teenaged selves always hoped to hear.

On CrownsDown, Themselves hold back nothing, welding brute skill to a concrete set of tracks that represents an essential ten commandments of rap. In preparation, Doseone and Jel revisited their beloved hip-hop collections (e.g. Gang Starr, Ultramagnetic MCs, Public Enemy, Saafir) and whittled down the recurring themes that made their favorite records so sturdy. Each song on CrownsDown represents one of these archetypes – you’ll find the “don’t bite” song, the diss track, the story rap, the “bootleggers beware” song, and the “don’t fuck with my DJ” jam, among others. In this way, Themselves revisit something classic in order to invent their own future-school entry to the annals.

Continue reading

Share
Posted in News | Tagged , , , | Leave a comment